AS Media Studies

Narrative Theory Notes

Editing and Camera Movement Images In

Sound

Tessa Perkins
Stereotyping is not a simple process and contains a number of assumptions that can be
challenged. Tessa Perkins (1979) identifies 5 such assumptions;
• Stereotypes are not always negative (e.g. 'The French are good cooks').
• They are not always about minority groups or the less powerful ( e.g. 'upper class twits').
• They can be held about one's own group.
• They are not rigid or unchanging ( e.g. the "cloth cap worker of the 1950's became the
1980's 'consumerist home-owner who holidays in Spain').
• They are not always false.

Stereotyping has tended to suggest that it is wrong to see people in catagories. Yet in the field
of social pyschology it has long been recognised that catagorisation is a fundamental process
necessary for humans to make sense of the world. Humans need to impose structure on events
,experiences and people.

Rethinking Stereotypes - Tessa Perkins

Camera Angles2

Track (or Dolly)
Moving the camera itself towards or away from the subject, or to follow a moving subject. The shot is called a ‘track’ or ‘tracking’ shot because the camera is often run along a small track (very like a small railway track) to follow the action. The use of the word ‘Dolly’ comes from a tripod which is on wheels called a ‘dolly’. Both these techniques are used to stabilize the camera. This places all the focus on the objects/action in the frame – it allows for focus to remain still whilst the background rushes past. This is often used when we stay with the occupants of a car, listening to their dialogue and watching their actions when the background is largely unimportant. It should not to be confused with a zoom, where the camera’s lens is varied to give the impression of moving closer to, or away from the subject.

Pan
Pivoting the camera to the side to scan a scene or to follow a moving subject. The camera stays STILL – the action rushes past. This highlights the SPEED of what is happening in form of the camera OR it gives clear evidence of scope – often used to show the surroundings or to establish the ‘background’.

Whip pan
A sudden, fast pan.

Tilt
Pivoting the camera vertically up or down. This produces a low or high angle shot.

Rolling
This is when the camera moves diagonally, making the image askew. This is usually used to show that the character is ill or drugged and is often used in as point of view. This is also called a ‘dutch angle’.

Arc
Moving the camera in an arc around the subject.

Crane shot
This is used when the camera itself moves up or down and is usually placed higher above the ground/action. The crane shot is the primary means of moving the camera above ground. During crane shots, the camera rises and lowers on a platform connected to a mechanical arm, much like utility company cherry-pickers. A crane enables the camera to traverse great distances up and down, as well as forward and backward and from side to side.
Overhead
This is where the camera looks over the action or scene directly from above – it’s like a kind of shot from the ceiling.

Aerial shot
Aerial shots are taken from a plane or helicopter are a variation of crane shots. A camera mounted on an aerial support can move into space in all directions while achieving much greater heights than can a crane. Filmmakers began exploring ways to mount a camera on a plane during the 1910s, and in the 1950s helicopter mounts created additional shooting possibilities. An aerial shot may frame another flying object or it may provide a "bird's eye view" of the landscape, as in the swooping helicopter shot of Julie Andrews in the Alps at the opening of The Sound of Music (1965).

Hand-held shot
This is used to convey a sense of immediacy OR it can be used to suggest realism. Thus this shot if often used in more gritty films. However, it is often used these days as it allows for more freedom and with the use of a steadicam the shots have less of the hand-held, shaky feel that one associates with amateur film.

Zoom (Crash Zoom, Reverse Zoom, Reverse Crash Zoom)
This is not really a movement of the camera but it appears to be so. It is when the focus is pulled making either the object/scene slowly appear closer or further away. When this is done very fast, it’s called a crash zoom. When the focus reverses to make the object/scene seem further away, then it’s called a reverse zoom or, when done very quickly, a reverse crash zoom.

How to Read a Film Still

Mise en scène overview notes

Mise en Scene

Hwk Booklet